환상이미지: 나의 시경매

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환상이미지: 나의 시경매

민경대 0 3557
저자 : 민경대     시집명 : 347-1
출판(발표)연도 : 2017     출판사 : 시공장
나의 시경매

Long poem by Wallace Stevens, published in 1942.

Composed of a prologue, 30 poems divided into three sections (“It Must Be Abstract,” “It Must Change,” “It Must Give Pleasure”), and an epilogue, each composed of seven stanzas containing three verses in a metric form like iambic pentameter, the poem does not attempt to develop a sequential argument but is composed of meditations concerned with the nature of reality, man's perceptions, and poetic imagination. Reality is always changing; to treat reality requires imagination that may comprehend its variety. The poet in treating reality is concerned with providing a fiction that will please in the way that once a belief in a personal deity gave spiritual joy. In turn such fiction provides a faith by which man, a soldier in wartime, can live and die.



To Henry Church

And for what, except for you, do I feel love?
Do I press the extremest book of the wisest man
Close to me, hidden in me day and night?
In the uncertain light of single, certain truth,
Equal in living changingness to the light
In which I meet you, in which we sit at rest,
For a moment in the central of our being,
The vivid transparence that you bring is peace.

It Must Be Abstract


시화를 그려 시 경매를 한다
1만원에서 시작하여 200만원까지
만일 그 시화속에 금 10돈이 존재한다면
금을 보고 나의 시를경매로 사가지만
나의시는 2000편의 시는
각시 당 1만원에팔릴까
그래도 2000만원은 된다
만일 10만원에만 팔린다면 2000만원이 되고
만일 100만원에 팔린다면 2억이 된다
1억은 기부하면 1억원은 재단 정치 철학 경제아카데미 설립준비자금으로
홀용하겠지
잠시 꿈을 꾸고나니
9시에 통장에서 20만원을 찾아야지
꿈과 가상화폐 그리고 시 이것은 이제
구별이  없는 시적 상상력속에 태어난 Suprme Fiction 이다
https://genius.com/Wallace-stevens-notes-toward-a-supreme-fiction-annotated


 


Notes Toward a Supreme Fiction, considered by many to be Wallace Stevens’s most important poem, did not receive much critical attention until the 1980’s. Regarded as long and unwieldy, the poem was overlooked in favor of shorter and more easily accessible poems until critics became aware that much current theory has its parallel in Stevens’s Notes Toward a Supreme Fiction. Contemporary notions of historicity, aesthetics, and even chaos theory can be read from this work.

The notion of the “supreme fiction” was a major preoccupation of Stevens, who, in the early 1940’s when this poem was written, was attempting to find a stronger justification for poetry in times of war and social disintegration. Poetry was not to be accused of escapism or irrelevance. Rather, the poet was to assume a heroic role in attempting to find meaning in chaos and to articulate the human myth. Indeed, this long, philosophical poem gives a relatively complete discussion of Stevens’s later aesthetic and can be used to gloss his other work. Notes Toward a Supreme Fiction was first published in 1942 and then collected in the 1947 book Transport to Summer. It is prefaced by a dedication and an eight-line introduction that addresses the fiction itself. The poem is organized formally, with three sections of ten sets of seven three-line stanzas, each developing a subtopic (or a single “note”) of the main theme, and a concluding set of seven tercets. The three subtopics are “It Must Be Abstract,” “It Must Change,” and “It Must Give Pleasure” (“It” in each case refers to the supreme fiction). The last group of tercets does not have a title, but it is an address to a soldier that attempts to make poetry and poetry writing relevant to war. When the poem was first published in 1942, Stevens wished to have the “soldier” lines emphasized. He claimed at one point to have planned a fourth section titled “It Must Be Human”; although this fourth part was never written, the humanity of the supreme fiction is assumed or asserted throughout the poem. The dedication (“To Henry Church”) is confusing; the reader is likely to connect it with the introduction to the poem, which begins, “And for what, except for you, do I feel love?” However, the dedication was a last-minute addition, and the opening lines are actually addressed not to his friend Church but to the fiction, an entity that seems as much creator as created. It is the fiction that is the ultimate object of desire.

The first section of the poem considers the process and nature of abstraction, one of the three essentials of Stevens’s supreme fiction. Abstraction is equated with seeing in “the first idea”—the poet must strip perception of...

(The entire section is 1130 words.)


I

Begin, ephebe, by perceiving the idea
Of this invention, this invented world,
The inconceivable idea of the sun.

You must become an ignorant man again
And see the sun again with an ignorant eye
And see it clearly in the idea of it.

Never suppose an inventing mind as source
Of this idea nor for that mind compose
A voluminous master folded in his fire.



How clean the sun when seen in its idea,
Washed in the remotest cleanliness of a heaven
That has expelled us and our images . . .

The death of one god is the death of all.
Let purple Phoebus lie in umber harvest,
Let Phoebus slumber and die in autumn umber,

Phoebus is dead, ephebe. But Phoebus was
A name for something that never could be named.
There was a project for the sun and is.

There is a project for the sun. The sun
Must bear no name, gold flourisher, but be
In the difficulty of what it is to be.


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